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Art college – the best time of your life, or a complete nightmare

Art college is for many a great experience, however it doesn’t always go to plan. So I’m going to look at the less positive aspects of art college, including my own time at Robert Gordon University’s Gray’s School of Art in Aberdeen.

The great portfolio swindle

No disrespect to art colleges but they are almost all thieves. At portfolio submission time to cover the cost of handling your portfolio, plus for sending to your second and third choice art institution, they require a fee of, what is it now, 50, 60, 100 quid? They receive how many applicants? 2000 x £50 = £100 000.

Art college portfolio

In return for a cursory glance at your work, you will be accepted or turned down. No feedback or advice. Any passing to second or third choice institutions does not happen. The vast majority of colleges are not interested in second or third choice students. They can argue they are underfunded, but it is immoral to take money from the pockets of the people you are rejecting to pay for the tiny minority you are accepting.

Those who can’t do… often teach art very badly

Art teachers. They know their stuff. Well maybe some of them do. Communication skills? Empathy? An ability to spot different students are at different places on their artistic journey? An understanding of which students need a kick up the backside, and which need some kind words of encouragement? An interest in teaching the whole class, not just their favourites – the ones that remind them of their younger, beautiful selves. An ability to hit on 19 year old students, despite being well into their forties, fifties, sixties, hello Operation Yewtree, how can I help you… Let’s put it this way, it’s not that hard to become an art tutor at an art college, but I suspect it is very, very hard to get kicked out.

Gray's School of Art cartoon

Bitter moi?

So you may have picked up a little bitterness in this article. I was ‘asked to leave’ Gray’s School of Art in 1988. The head of graphic design Ian Cargill (the only graphic design tutor)  had taken an instant dislike to me, and seemed determined to remind me whenever he got the opportunity that he hadn’t changed his opinion throughout my seven months in his class. I was far from perfect, but I was then, as I am now, a graphic designer.

I received a letter at my home informing me to meet at the Head of School’s office at an allotted time. On arriving for the meeting I was immediately informed by Head of School, Professor Eric Spiller ‘we have no option but to ask you to leave’. That was my first communication on the subject. In the corner looking at the floor was Ian Cargill. Next to me was Malcolm Brown, head of Textile Design at Gray’s School of Art.

Ian Cargill Gray's School of Art

Malcolm Brown leaned into me, face to face, about 15 centimetres nose to nose and growled/sneered, ‘So are there any mitigating circumstances to take into account, Iain?!’. Safe to say Malcolm Brown was enjoying the ending of a twenty year old’s education. Despite the fact he had never taught me, didn’t know me at all, had never previously been in the same room as me.

I just looked at him, speechless. Looked over at Ian Cargill, still looking at the floor, looked up at Professor Eric Spiller, stood up and left. I didn’t utter a single word the entire meeting. And that was me done with Gray’s School of Art, and full time education. 

Not all bad…

But it would be wrong to end it there. George Craigie had taught for a few months in Graphic Design and was a great teacher.  The artist Joyce Cairns taught me during a brief spell in the Fine Art department. She was excellent at her job, is a great artist and a kind and decent human being. Gordon Hamilton’s art history lectures engrained in me a love of the history of art I will never lose. And the library, oh the library, like a sweet shop for the creative brain. The lovely helpful librarian. The shiny new Creative Review magazine that arrived every third Thursday in the month, about 10.30am. The collection of back issues of assorted design magazines, which had it’s own cupboard, with a desk and chair. And the fabulous book collection…

The best of times, the worst of times.

the-dandy-dons-website

Re-launching my side project The Dandy Dons

the-dandy-dons-website

Some people think football is a matter of life and death…

My side project the Dandy Dons got it’s website re-designed over the last couple of weeks.

Although living in Copenhagen I am from Aberdeen, and support the football team Aberdeen F.C who play in the Scottish Premiership in Scotland. The side project allows me the freedom to experiment and develop my design and illustration skills. The freedom of total control of the design process and the chance to learn about social media communication (the Facebook page has around 4000 likes) as well as an opportunity to bask in the love of my football club and home city.

A Facebook community to connect with

The immediacy of reaction from social media is stimulating, revealing, occasionally humbling. There is also the immediacy of being able to react to events, and a removal of the preciousness or over thinking or over working that can come about if developing or experimenting with work with a view to a portfolio piece.

The sense of total control of the website design for The Dandy Dons is important for me as with my other side projects www.iain.dk and the forthcoming thenew.one. A weakness I have when dealing with clients is sometimes caring a little too much about the design of my client’s sites, and not allowing the client enough creative control. I can be a bit of a control freak, and I do not wish this to be the case. So the side projects, amongst other things, is a chance for me to play ‘design dictator’, without upsetting anyone….

 

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Advice for new students at Gray’s School of Art, Aberdeen

Grays School of Art Aberdeen

This image is copyright Grays School of Art , Aberdeen

If you are about to attend Gray’s School of Art for the first time, you probably ought to know, Gray’s School of Art is the best art college in the world – if you want it to be.  Look at the building, look at the surroundings, look at the library, really what else do you need? On top of that, the most important reason it is the best art college in the world, is YOU are there.

Having been a student at Gray’s School of Art, Aberdeen in the late eighties, here is my advice for new students. I am well aware there will have been significant changes, but some elements will be similar to my time.

Enjoy the city of Aberdeen

The city of Aberdeen is a magnificent place. The granite buildings are beautiful, the people are nice, there’s mock chop suppers, and a wonderful football team. At Gray’s School of Art the building is a fantastic piece of architecture. The area of Garthdee is close to the centre of the city, and you are a couple of minutes from the beautiful Deeside countryside.

What to watch out for

Avoid at all costs any students with a whiny Central Belt accent constantly whinging about how much better everything in Glasgow is – in particular Glasgow School of Art. They are almost certainly just homesick, missing their Mum, and using a front of superiority to cover this up. Ideally there should be a toll at the Tay Bridge that stops these people getting that far North.

Ignore your tutors

Or listen to them, it’s up to you. Being a tutor at an art college is really not that hard a job. You take talent, you point them in the right direction, off they fly. The idea that at Edinburgh, St Martins, or anywhere else there are better art tutors with better qualifications, or better people skills is just academic elitism. Your perfect tutor maybe doesn’t exist. Your art comes from within. Listen, evaluate, go with your instincts.

And finally

Try not get chucked out at the end of second year. Like I did. It’s a long hard struggle without a degree to make it in design, but it’s not impossible. And if ever you come across former Gray’s School of Art head of Graphic Design Ian Cargill, say hi from me. You can read more about the supremely talented and gifted trio of Ian Cargill, Malcolm Brown and Professor Eric Spiller here.

P.S

You are welcome. I suppose an honorary degree is out of the question?

Dores Inn, Loch Ness Scotland

One of my favourite places to visit whenever I am back in Scotland is The Dores Inn restaurant, in the village of Dores on the outskirts of Inverness by Loch Ness. The food is fantastic, and the surrounding scenery is sensational. May be worth booking in advance to avoid disappointment.

If you are looking for a place to stay in Inverness from which to visit, I recommend Bannerman Bed and Breakfast as it is a lovely bed and breakfast in a great location in Inverness – I designed the website, and my sister owns Bannerman B&B!

If you use the code <I know your brother> you may get an extra sausage* for breakfast.

*Other breakfast options are available.

Dores Inn Loch Ness

loch-ness-inverness-scotland

Labradors running into Loch Ness never to be seen again… Nessie likes a labrador. Dark chocolate or white chocolate, she’s not fussed.

Loch Ness Scotland

Told you…

Inverness Loch Ness

dores-inn-loch-ness-scotland

 

Press and Journal

Working as a cartoonist for the Press and Journal newspaper

Willie Miller Aberdeen F.C.

Cartoon for The Press and Journal. A wee hint of Bill Watterson (Calvin and Hobbes) in the brush work.

In the early nineties I worked for Aberdeen Journals’ Press and Journal newspaper as a layouter at their Lang Stracht headquarters in Aberdeen.

I was contributing cartoons to the Aberdeen f.c. fanzine The Northern Light at the same time. I eventually plucked up the courage to submit a couple of cartoons to The Press and Journal. It was a paper that sold 110,000 copies per day, six days a week back then. Covering the area from the Shetlands down to Dundee, and over to the Western Isles. The highest selling newspaper in the area, with an estimated readership of 220,000. The subs, the chief sub, the Assistant Editors, were nice but intimidating people – you wouldn’t want to mess with them.

Four hours after nervously offering two cartoons to the Chief Sub, I was holding a still warm from the presses copy of the P&J in my hand with one of my cartoons on the front page, and another on the all important back page (the football page).

The cartoons were topical and needed to fit in with that day’s news. A sharp learning curve in, coming up with material under pressure, drawing quickly, and accepting the random nature of what others considered funny (editors and sub-editors).

The Press and Journal doesn’t sell as many copies now as when my cartoons appeared. This may or may not be a coincidence.