shark apple jumping

Has Apple jumped the shark?

shark apple jumping

Has Apple jumped the shark? The phrase jumping the shark comes from an episode of the sitcom Happy Days, in which the Fonz, jumps a shark. The phrase means when you’ve run out of ideas.

There’s a new Apple computer out, just like there’s another one always around the corner. Apple are an exceptionally successful billion dollar company, for whom my opinion will be less than worthless. This new computer is getting some criticism as it is very expensive, is not aesthetically pleasing (the cheese grater), and comes with a (not included in the price) $1000 stand for the monitor.

I’m a graphic designer, one of our ‘traits’ is the love of all, or most things, Apple. Not all graphic designers, but a lot of us. Historically in the earlier, less successful Apple years, it was graphic designers that kept the computer selling part going.

Graphic designers are in the most part aesthetics driven, so it’s natural our tribe was drawn to the aesthetically pleasing and user friendly Mac.

I’m just me, just one graphic designer, I am writing this on my fourth Mac in over twenty years. Number three is still in use, and is sitting next to me, as is a very expensive Apple iPhone. But it will be my last iPhone. Possibly my last Apple product.

It struck me I’d paid a ridiculous amount of money for a telephone with a nice, but not professional camera on it. It didn’t sit well with me. Despite not being my first iPhone. I’m a grown up, I made the choice to purchase it, but after the event, I’ve regretted the purchase.

In a world facing a climate catastrophe, where bankers are pretty much universally loathed, hearing that Apple were introducing banking was also an eye opener.

In this world of finite resources, I can’t really justify any of this anymore. I’m not stamping my foot, I don’t for a second think Apple would care. But sometimes what we as individuals feel, is in fact something quite a lot of others feel.

If you lose the designers Apple, I’d say you are in serious trouble. And releasing a big screen TV monitor with a $1000 stand, is so not what the world, or just graphic designers need.

Everything has it’s time.

the art of logo design

The art of logo design

Generally speaking a successful company has a quality logo.

What are the components of a quality logo? What makes a logo work or not work? Why is it important?

A logo is often the first impression the world sees of a company. As with people, first impressions count. A logo is a communication tool.  It needs to be unique, it needs to stand out from the crowd, conversely it may need to fit in with perceived standards. It needs to be instantly recognisable. This is so once you’ve seen that logo somewhere, or have an interaction with the company, the next time you see it, you recognize the company’s ‘signature’, and are therefor aware you are with the same company or people. Brand recognition.

It needs to give trust, reassurance, make potential customers want to be part of it, or intrigued to find out more of the company.

It needs to be simple, clean and professional. It needs to work at a small size, or very large size. Ought to work in black and white or colour.

What it doesn’t need to do is describe what the company does. In fact with regard to the actual work of the company it is more likely to aspire to the values the company wishes to stand for, rather than a descriptive image of what the company does.

That’s quite a lot a logo needs to do.

Ultimately like almost all creative endeavors, a logo works or it doesn’t. You can have the best idea in the world, and if it doesn’t work, it doesn’t work, and you come up with something else. It takes hard work, creative thinking, research, intuition, reworking and reworking of ideas. Returning to earlier designs, and also a little bit of time needs to be spent with a finished design, to live with a design, to test it’s potential longevity.

Iain Cameron logo design

What’s my logo about? (top left) Just a font. No colour. But a memorable word shape always set on white. Minimal, discreet. I’m not selling me, it’s not about me, it’s my work for other clients that is important, that leads to others wishing to use my services. My designs are not about me, I am a facilitator of design for companies.

While a hand written signature was considered, my first name is an issue outside of Scotland. Iain. That first letter is an ‘i’ for ice cream, not an ‘l’ for lettuce, as it may appear. Clarity was important. Hand written would have added to the confusion.

Colour would distract from my portfolio. So in some ways a logo is a system of elimination. There is always a great one there for every company. Unless like me discretion is a deliberate choice. It’s a process of peeling back the layers until you find it.

A picture paints a thousand words.

A detailed case study of one of my logo designs.

My graphic design page which has many logo designs.

web design 2019

A web designer’s digital guide for 2019 and beyond

web design 2019

Web design in 2019

WordPress is still king of the CMS. Web design has stabilised. We know what works. In the beginning with the first websites there were technical reasons websites looked the way they did. Also a considerable amount of the first websites were designed by very technically minded people. Not so visually orientated. Bit by bit visually orientated designers got to take charge and UX standards were developed, websites have a common look now. Being responsive is a given. And while there will always be developments in web design, there will be no dramatic changes as there have been in the past.

This means brands need to do something to stand out. And if it’s not the website design, it needs to be the story telling.

SEO in 2019

SEO has developed in the last few years. There is a simple rule now for search engine optimisation, quality content over quantity or attempts at gaming SEO.

More and more of my websites have a few articles that are read many thousands of times per week, and eighty percent of the other blog content is virtually ignored.

So go back, and update the heavily read content from time to time. Re-post. Have a look at the older content that is not being read. Could it be improved, re-written, could a number of ‘failed’ posts be combined to create one successful, entertaining or enlightening post? If not, bin the dead wood, and concentrate on creating quality content in your niche.

One of the ways Google measure the quality is from, amongst other things, how long any visitors spend on the page. If people read it, Google will show it to more people.

Social media in 2019

Facebook is the tough one. The giddy highs of organic reach are a thing of the distant past. It’s a struggle to reach your own audience irrespective of the quality of your content. Facebook wants your money on sponsored posts.

Instagram still offers better value for money (for now), depending on your market. Linkedin is very niche. Twitter is very much hit or miss. I’ve noticed clients and companies I admire closing Facebook pages. I’m not sure it is so much Facebook that’s the problem, as being too thinly spread. It may be best to just concentrate on one social media you are comfortable in.

My advice, be ready for new social media companies appearing. There is so much more to develop in the social media world, it’s only a decade old. When new platforms appear, jump on them. The early period is where there will be the greatest results.

Iain Cameron is a web designer, graphic designer and illustrator. Here’s my portfolio.

rolling stones warhol

Mick Jagger and Andy Warhol, the greatest commissioning letter ever

rolling stones warhol

The ultimate commissioning letter. Two successful, wealthy, talented artists, at the height of their powers. Mick Jagger and Andy Warhol.

The advice from Jagger. Offered, with self depreciation.

“In my short sweet experience, the more complicated the format of the album, e.g. more complex than pages or fold-out, the more fucked up the reproduction and agonising the delays.”

For a short letter, he goes into real detail to explain what he doesn’t want, and why there are issues with complicated designs.

Then he jumps back, a creative person aware of a creative brain’s response to demands, ‘But having said that, I leave it to your capable hands…’

‘And please write back saying how much you would like’. Not ‘paid’. How much would you like. Not negotiating, not trying to claim ‘we haven’t much budget’. ‘How much would you like’. You decide your worth.

‘Here are two boxes of material you can use’, presumably photos, and negatives. Oh ‘and the record’. Almost a throwaway. Not listen to our brilliance, and be inspired by our magic. Just ‘…and the record’.

There are lots of creative people in the world. Not so many who can weaponise it for enormous success and financial reward, without compromising their art. Amongst all the  myths and debauchery of both artists, the sex, the drugs, the rock n roll. Two very intelligent, disciplined, very smart business brains. Skilled in social communication, and respectful of others’ talent. As well as creative geniuses.



logo design web design

SCOOP case study: Logo development and process

fyre festival marketing

Fyre Festival – the lesson of great marketing

FYRE: The Greatest Party That Never Happened is a fantastic Netflix documentary on the Fyre Festival. The documentary tells the story of the festival, which was marketed as the ultimate luxury festival on an island in the Bahamas, and was a complete disaster due to chronically poor planning and financial impropriety. The main organiser is currently in prison for fraud.

The documentary is a fascinating watch, for many bad reasons. And sympathies to everyone affected by the event. But in amongst the sheer awfulness of the organisers behaviour is what I felt a very important lesson in marketing. The power of high quality marketing. The power of high quality design. The power of doing things right when selling your product or business.

Watching the video again, even knowing it was a disaster, there’s a bit of me, that would still like to go.

Investing in design

I often meet clients and potential clients who have a business or service that is a great concept. However they don’t have, or won’t allocate the funds to market this concept properly. The complete opposite of Fyre Festival. It’s sad that the power of marketing isn’t trusted given it’s importance in business.

In an extreme example recently, I was approached by a potential client regarding a logo design. She’d liked my portfolio, we discussed my work process. I then told my price. The client got back to me later the same day, to tell me she had just bought a logo ‘on the internet’ for ten dollars. She was proud of this, and wanted me to know it. The fiverr mentality.

Firstly I wish that woman the very best and her business every success.  But skimping on, or not investing properly in the logo, the design, the marketing is such a short sighted way of opening or running a business.

A life lesson

So what did the Fyre Festival design people do? Look at the video above. The models are the A listers, the very best. I’d say the camera people are also the very best, they knew they’d need a helicopter, despite the cost, they knew the weather had to be just right. The editors, the design company behind the logo, the brand, the music. Everything is the very best. That’s why it reached so many people, was massively over subscribed. Was a huge *marketing* success.

In life we should learn from the best. On occasion we can all learn from the very worst.

FYRE: The Greatest Party That Never Happened is on Netflix.

Iain Cameron is a web designer, graphic designer and illustrator based in Copenhagen.



The bad side of Steve Jobs and Apple

I like Apple, I like their products, I own quite a few. I would consider my relationship to Apple to be a healthy, rational, grown up one. This is, as opposed to my relationship with say, the football team I support, or Star Wars, The Sopranos, ex girlfriends, ex girlfriends’ sisters… I could go on.

boring graphic design

Graphic design is boring

graphic design is boring conference

‘Graphic design is boring’ is an emotive phrase. Having written principly on the subject of graphic design on this blog, this realisation struck me very late. Actually a comment in a graphic designer’s Facebook group really brought it home to me.

To the question someone had posted, ‘What blogs do you read on graphic design?’.  Someone answered ‘None. As graphic design is boring’.

Absolutely horrified that someone, a graphic designer, could say something so bad about a subject I passionately love, it slowly dawned on me, she was absolutely right.

Graphic design is boring.

munch the scream

Design for life, quietly

I don’t read other graphic designers blogs anymore, I don’t have graphic designer conversations with other designers. Stuff will come up now and again, but largely it would be a work conversation. Talking with a colleague on a shared project or with a client.

Clients are not interested in graphic design outside of their own job needs, for quite understandable reasons. Albeit some of them would like a play at becoming a designer for a bit. A quick look at my Google Analytics on this website, articles on non graphic design subjects are read by far more readers than the graphic design or web design ones.

The unspeakable truth about graphic design. It’s a boring subject to read about, or talk about. But wonderful to create and work in and solve problems.

being boring pet shop boys

Being boring

I have been writing this blog for a few years now. It has been a very enjoyable process, and I have learned a great deal from it. I’ve become far better with the written word (plenty still to work on) but my emails, contracts and content creation have all improved significantly. I quite enjoy sitting down to write now. Emptying my head.

But in future I need to write about other subjects than graphic design or being freelance, or work. Because no-one cares, and nor should they.

Although it could possibly be said that is the case for anyone’s profession.

Boring, boring graphic design

boring graphic design

santa feat

Get ready for Xmas design

The nights are turning darker, the shops are selling Xmas stuff, is your business ready for Xmas? A Xmas illustration, a little snow on your logo, a little bit of the magic of Xmas… In the words of Slade’s Noddy Holder, “It’s Christmas!” (in a few weeks).

I draw a mean Santa, and a mean Rudolph.

santa pub xmas blackboards

This scene really reflects the spirit of Xmas for me. I was working all day in this pub in Harringay in North London. It was a Wetherspoons (a quick search online says it is now shut). Unusual for a Wetherspoons in that it was a nice pub, not the Airport hanger factory feel of their modern outlets. Hyggelig they aint!

These two fellas were characters. During the full day I was in the pub painting the blackboards these two were commenting on everything and everyone. Very likeable guys, I don’t think a positive word was said about anyone or anything at any point. The contrast between Santa and Rudolph’s happy faces, I thought was just lovely.

This was one of my favourite aspects of working in pubs and restaurants, merging into the background and hearing all sorts of conversations and dramas unfolding throughout the day. It was like an episode of Eastenders, but with good acting and writing. In one pub I was working near Oxford Street, the actress Wendy Richard (Pauline in Eastenders) was drinking… doof, doof, doof (Eastenders theme). I wrote a lot more on my celebrity experiences in this article.

afc santa super cup

This is a developed illustration for my then client Aberdeen Football Club. The Aberdeen FC mascot Angus the Bull is in the centre. Aberdeen play in red, but when they won the European Super Cup, beating European Cup holders SV Hamburg in December 1983 they wore their away strip which was white.




summer designer

A freelance designer in Copenhagen

summer designer

As a freelance designer in Copenhagen I love the cyclical nature of the seasons with regard to clients. I have two busy periods as regards new clients and new inquiries.

The first is obvious, January. Middle to late January, the emails and phone calls come in. Companies have a new budget to spend, new ideas to implement. Not everyone is a fit, either me for them, or them for me, but I always try and direct clients to where may be a better fit.

The other time, and the most busy, is late August and September. A Danish friend of mine who’s freelance told me years ago, after a long restful summer, people in business have ideas, are energised, therefor new projects are begun. This period always brings me enough work, to get me to Xmas, and the January period. And off we go again. An opportunity to meet new people, learn about businesses, and work together to solve creative problems.